Our large-diaphragm condenser microphones use a design (or topology¹) that has been favored in classic studio mics for decades. One of the key advantages of both large and small diaphragm condensers is their ability to capture extended top-end frequencies with clarity and brightness. This is why reference and measurement microphones are almost always condensers.
By contrast, ribbon and dynamic microphones typically produce a softer-sounding top end and often (but not always) have a more limited frequency response. That’s not a flaw—it’s part of their sonic character, and in many situations, it's an asset. However, in a side-by-side comparison, a condenser will almost always sound “brighter.” Keep this in mind when comparing mics, especially if you're used to hearing a different type.
A flat, bright response isn't just a characteristic of our mics—it’s intentional. That extended, neutral signal is what allows our modeling software to accurately recreate the tone and behavior of iconic microphones and preamps.
Our system is designed to send the most detailed, uncolored signal possible to your analog-to-digital converter². This clean input is what makes it possible to achieve realistic, dynamic recreations of vintage gear through software.
If your recording sounds flatter or brighter than expected, that’s a good thing. It means the mic is doing exactly what it was designed to do—and it’s setting the stage for accurate modeling.
¹Topology: In audio electronics, topology refers to the design or architecture of a circuit—such as Tube vs. Solid State, Condenser vs. Dynamic, or Large vs. Small Diaphragm.
²ADC: Short for Analog-to-Digital Converter. This is the part of your audio interface that turns analog mic signals into digital data your DAW can use.
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